This article investigates the use of 3D immersive virtual environments and 3D prints for
interaction with past material culture over traditional observation without manipulation. Our …

Within the context of a growing emphasis on digital recording, what is the place of analog
drawing in archaeological fieldwork? In this article, we situate the increased application of …

European archaeologists in the last two decades have worked to integrate a wide range of
emerging digital tools to enhance the recording, analysis, and dissemination of …

This paper describes the work undertaken as part of the 'Digital Documentation of Ksar
Said'Project. This project, funded by the British Council, combined education, history, and …

In this paper, we present two experiments designed to compare 2D digital pictures and 3D
digital replicas of artifacts, to understand how differently these media facilitate the perception …

As archaeologists continue to utilize digital 3D visualization technologies, instruction can
also benefit from purpose-driven uses of these data. This paper outlines a pilot project that …

Archaeology is collaborative, ongoing, and iterative. Our workflows are not unidirectional,
but rather we work back and forth between the field, labs, and dissemination. With the …

This research aims to investigate the potential use of three-dimensional (3D) technologies
for the analysis and interpretation of heritage sites. This article uses different 3D survey …

This research aims to investigate the potential use of 3D technologies for the analysis and
interpretation of archaeological and heritage sites. The use of 3D laser scanners and dense …

While digital technologies have been part of archaeology for more than fifty years,
archaeologists still look for more efficient methodologies to integrate digital practices of …