ViSQOL v3: An open source production ready objective speech and audio metric

M Chinen, FSC Lim, J Skoglund… - … on quality of …, 2020 - ieeexplore.ieee.org
Estimation of perceptual quality in audio and speech is possible using a variety of methods.
The combined v3 release of ViSQOL and ViSQOLAudio (for speech and audio …

Objective assessment of perceptual audio quality using ViSQOLAudio

C Sloan, N Harte, D Kelly… - IEEE Transactions on …, 2017 - ieeexplore.ieee.org
Digital audio broadcasting services transmit substantial amounts of data that is encoded to
minimize bandwidth whilst maximizing user quality of experience. Many large service …

[HTML][HTML] ViSQOLAudio: An objective audio quality metric for low bitrate codecs

A Hines, E Gillen, D Kelly, J Skoglund… - The Journal of the …, 2015 - pubs.aip.org
Streaming services seek to optimise their use of bandwidth across audio and visual
channels to maximise the quality of experience for users. This letter evaluates whether …

Streaming VR for immersion: Quality aspects of compressed spatial audio

M Narbutt, S O'Leary, A Allen… - … Conference on Virtual …, 2017 - ieeexplore.ieee.org
Delivering a 360-degree soundscape that matches full sphere visuals is an essential aspect
of immersive VR. Ambisonics is a full sphere surround sound technique that takes into …

[HTML][HTML] Ambiqual: Towards a quality metric for headphone rendered compressed ambisonic spatial audio

M Narbutt, J Skoglund, A Allen, M Chinen, D Barry… - Applied Sciences, 2020 - mdpi.com
Featured Application Streaming spatial audio for immersive audio and virtual reality
applications will require compression algorithms that maintain the localization accuracy and …

Subjective and objective comparative study of DAB+ broadcast system

P Gilski, J Stefański - Archives of Acoustics, 2017 - acoustics.ippt.gov.pl
Broadcasting services seek to optimize their use of bandwidth in order to maximize user's
quality of experience. They aim to transmit high-quality digital speech and music signals at …

[HTML][HTML] Subjective evaluation of music compressed with the ACER codec compared to AAC, MP3, and uncompressed PCM

S Cunningham, I McGregor - International Journal of Digital …, 2019 - hindawi.com
Audio data compression has revolutionised the way in which the music industry and
musicians sell and distribute their products. Our previous research presented a novel codec …

Towards blind audio quality assessment using a convolutional-recurrent neural network

X Zheng, C Zhang - … 13th International Conference on Quality of …, 2021 - ieeexplore.ieee.org
Blind estimation of audio quality is desired for practical applications since the original
reference audio signal is sometimes unavailable. The subjective quality degradation of the …

[PDF][PDF] Robust speech emotion recognition under different encoding conditions

C Oates, A Triantafyllopoulos, I Steiner, B Schuller - 2019 - opus.bibliothek.uni-augsburg.de
In an era where large speech corpora annotated for emotion are hard to come by, and
especially ones where emotion is expressed freely instead of being acted, the importance of …

Bitrate Requirements for Opus with First, Second and Third Order Ambisonics reproduced in 5.1 and 7.1. 4

E Souza-Blanes, C Tejeda-Ocampo, C Wang… - … Society Convention 152, 2022 - aes.org
In this paper, we present a study on the Basic Audio Quality of first, second and third order
native Ambisonics recordings compressed with the Opus audio codec at 24, 32 and 48 kbps …