With the advent of digital technologies, the computer has become a generalized tool for
music production. Music can be seen as a creative form of human–human communication …

Research in computer music at the University of Padua, Italy, began in the early 1970s and
was formalized in 1979 by establishing the Centro di Sonologia Computazionale (CSC) …

In the last years, applications based on large‐scale responsive environments have risen up
as a convincing aid for learning simple as well as complex concepts in a playful way. The full …

This paper describes an educational experience realized in the form of extracurricular
workshops involving music technology students of the “V. Gambara” music high school in …

The Digital Touch Project took place between 2019 and 2020 and is part of wider research
considering wearable technology in dance-making. In questioning the use of body-worn …

The purpose of this research was to create, use, and study digital touch stimuli in the
creative context of making dance. This was enabled by designing, producing, and using two …

” Harmonic Walk” is a responsive environment where users accompany chords to a given
tonal melody by moving to specific points in the environment. To help users in this melody …

In this document, we describe a new approach to learning and practicing tonal harmony, a
topic that is often overlooked in music education curricula due to the abstraction and …

The concept of interaction is foundational in technology interface design with its
presuppositions being taken for granted. But the interaction metaphor has become …

[J35] F. Bressan, S. Canazza, Antonio Rodá, R. Bertani, and F. Fontana. Pavarotti sings
again: A multidisciplinary approach to the active preservation of the audio collection at the …