(57) ABSTRACT A method for Sound field reproduction into a listening area of spatially
encoded first audio input signals according to Sound field description data using an …

S 371 (c)(1),(Continued)(2) Date: Feb. 11, 2015 (87) PCT Pub. No.: WO2014/044812
Primary Examiner—Brian Albertalli PCT Pub. Date: Mar. 27, 2014(57) ABSTRACT (65) Prior …

With the increase in the number of sensory substitution devices, the engineering community
is confronted with a new challenge: ensuring user training in safe virtual environments …

This article presents a report on technological and aesthetic practices in the variable-
acoustics performance hall, Espace de Projection, at the Institut de Recherche et …

Historically, most acousmatic works were composed in stereo and performed, or “diffused”,
over loudspeaker orchestras. These systems furnished performers and composers with a …

This paper investigates the compensation of room reflections based on Ambisonics. A
multichannel room equalization method for Ambisonic playback systems is proposed. The …

Based on the spatial masking phenomenon and Ambisonics, a watermarking technique for
audio signals is proposed. Ambisonics is a well known technique to encode and reproduce …

This paper introduces a methodology tailored to capture, post-process, and replicate audio-
visual data of outdoor environments (urban or natural) for VR experiments carried out within …

An advantage of Ambisonics representation is that the reproduction of the sound field can be
adapted individually to nearly any given loudspeaker position arrangement. The invention …

The variable acoustics performance hall of IRCAM (Espace de projection, ESPRO) provides
a remarkable flexibility with regard to form, volume and acoustical properties. The walls and …