Tacit Knowledge in Orchestral Performance: an application of HH Clark's (1997)“Dogmas of Understanding” to the analysis of performed music

LT Kaastra - College Music Symposium, 2016 - JSTOR
This paper presents an exploration of the ontological shift from musical materials (ie melody,
harmony, rhythm, texture, timbre, register) to activities in music performance analysis. A …
被引用次数：2 相关文章

Tacit Knowledge in Orchestral Performance: an application of HH Clark's (1997)“Dogmas of Understanding” to the analysis of performed music

LT Kaastra - JSTOR
This paper presents an exploration of the ontological shift from musical materials (ie melody,
harmony, rhythm, texture, timbre, register) to activities in music performance analysis. A …
[PDF] academia.edu

[PDF][PDF] Tacit Knowledge in Orchestral Performance: an application of HH Clark's (1997)“Dogmas of Understanding” to the analysis of performed music

LT Kaastra - 2016 - academia.edu
This paper presents an exploration of the ontological shift from musical materials (ie melody,
harmony, rhythm, texture, timbre, register) to activities in music performance analysis. A …