On 28 January 2009 what has become known as the Eames− Bradley report was published.
This was the report of the cross-community Consultative Group on the Past, set up to …

Two opposing visual signifiers dominated Ireland during the 1970s and 1980s. In the south,
tourist postcard images attempted to remove all signs of modernity and complex cultural …

The deep and abiding sectarian divide splintering Northern Ireland has been the focus of
considerable attention recently. In particular, the role parades and visual displays play in …

This paper examines the visual print culture of Britain during World War II. Case-notes on
Picture Post, the Army Bureau of Current Affairs and the Royal Society for the Prevention of …

The suggestion that belief in Northern Ireland is defi ned to a signifi cant extent by the nature
of the Northern Ireland confl ict may seem rather too obvious. It is, however, contentious in its …

The Northern Ireland republican movement was visually emphasized by images on the
gable ends of houses and walls in Belfast and (London-) Derry. These murals were used by …

This dissertation is about the relationship between the visual arts and the growing concept of
political and cultural integration within the British Isles c. 1800. In the years before and after …

Murals have figured as a prominent feature of the visual environment of Northern Ireland
since the early twentieth century, developing, during the Troubles, into one of the best …

In 1912, the British government introduced a Home Rule Bill to Parliament, proposing that
Ireland be granted the right to self-govern. This Bill provoked widespread outrage in the …

When the text of the Good Friday Agreement was circulated to households in Northern
Ireland just before it was put to a referendum in May 1998, its cover suggested that a new …