Compositional and morphological comparison among three coeval violins made by giuseppe guarneri “del Gesù” in 1734

G Fiocco, S Gonzalez, C Invernizzi, T Rovetta… - Coatings, 2021 - mdpi.com
In the present work, we had the opportunity to study the coating systems of three different
coeval violins, namely “Spagnoletti”,“Stauffer”, and “Principe Doria”, made by Giuseppe …

A multi-technique chemical characterization of a Stradivari decorated violin top plate

M Malagodi, C Canevari, L Bonizzoni, A Galli… - Applied Physics A, 2013 - Springer
This paper focuses on the characterization of the materials of a violin top plate made by
Antonio Stradivari (17th century), with different diagnostic techniques and with an integrated …

Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy

JP Echard, B Lavédrine - Journal of Cultural Heritage, 2008 - Elsevier
For the last 60years, varnishes of ancient musical instruments, particularly stringed
instruments of the violin family dating 17th and 18th centuries, have been analysed to …

[HTML][HTML] Complementary spectroscopic analyses of varnishes of historical musical instruments

L Side - Spectroscopy Europe, 2010 - spectroscopyeurope.com
For the past two centuries, the nature of the varnishes coating historical instruments has
been a much debated subject. Focusing in particular on the varnishes used for coating …

A multidisciplinary materials characterization of a Joannes Marcus viol (16thcentury)

L Bonizzoni, C Canevari, A Galli, M Gargano… - Heritage Science, 2014 - Springer
Background Several musical instruments in the past centuries were decorated with
engravings, inlays, or paintings. This paper focuses on an integrated approach to detect and …

The case of Antonio Stradivari 1718 ex-San Lorenzo violin: History, restorations and conservation perspectives

T Rovetta, C Invernizzi, G Fiocco, M Albano… - Journal of …, 2019 - Elsevier
Historic musical instruments, especially violins, have witnessed centuries of stories and
events, passing from hand to hand among musicians, collectors and restorers. Historical last …

[HTML][HTML] Varnish technology during the 16th–18th century: The use of pumice and bone ash as solid driers

S Zumbühl, B Soulier, C Zindel - Journal of Cultural Heritage, 2021 - Elsevier
The historical varnish technology is of interest to various fields in cultural heritage. To
understand the material properties of these historic surface coatings it is important to get …

A multi-analytical non-invasive approach to violin materials: The case of Antonio Stradivari “Hellier”(1679)

C Invernizzi, A Daveri, T Rovetta, M Vagnini… - Microchemical …, 2016 - Elsevier
The study and characterization of the materials of historic musical instruments, especially
violins, represent an important aim for scientists and conservators. In particular, the …

The elemental composition of Stradivari's musical instruments: new results through non‐invasive EDXRF analysis

T Rovetta, C Invernizzi, M Licchelli… - X‐Ray …, 2018 - Wiley Online Library
During recent decades, many researchers have tried to understand the main influences on
the extraordinary sound and beauty of the masterpieces made by the ancient violin makers …

[PDF][PDF] Characterization of historical violin varnishes using ATR-FTIR spectroscopy

IM Cortea, R Cristache, I Sandu - Rom. Rep. Phys, 2016 - rrp.nipne.ro
Traditional, historical varnishing techniques applied on ancient musical instruments have
been increasingly studied within the last decades, a comprehensive physico-chemical …