GA Rhodes - Public Art Dialogue, 2015 - Taylor & Francis
The following text is a performance script. Since 2012, I have performed a series of self- reflexive media essays on Augmented Reality, using AR technology, live, to talk about AR as …
R Wright - Journal of Creative Technologies, 2014 - eprints.qut.edu.au
The 21st century presents us with a new paradigm for current art practices. In the context of a post-gallery milieu, interactive topologies have emerged, deploying Augmented Reality …
M Ding - Museums & augmented reality–A collection of essays …, 2017 - amt-lab.org
Augmented Reality in Museums Page 1 Augmented Reality in Museums Mandy Ding Page 2 May 2017 - 1 INTRODUCTION “AR is an attractive medium for use in museums because digital …
M Judkis - The Washington Post, 2016 - go.gale.com
WASHINGTON-The exhibition is about amazement, marvel and awe. But as droves of Renwick Gallery visitors gape at the large-scale installation art in" Wonder," the newly …
G Gaia, S Boiano - The Arts and Computational Culture: Real and Virtual …, 2024 - Springer
This chapter aims to explore the intersectionof Augmented Reality (AR) and digital art, highlighting the potential of AR to transform the way we create, experience, and interact with …
This chapter addresses the theme of digital artworks as innovative forms, looking at how they are conceived, constructed and evaluated. This is discussed from the perspective of my …
M Schavemaker - Mobile Apps for Museums: The AAM …, 2011 - isea-archives.siggraph.org
In the past year, the innovative forms of augmented reality (AR) appearing on smartphones have proven to be exciting playgrounds for curators and museum educators. These AR tools …
BC Biermann - ACM SIGGRAPH 2018 Talks, 2018 - dl.acm.org
An overview of how AR art has evolved and, in particular, how Heavy Projects' work has transitioned from guerrilla-style AR street art interventions to large scale, interactive, public …
H Corcoran, B Graham - … and Audiences After New Media Art, 2016 - taylorfrancis.com
This chapter builds on the existing analysis of Rhizome's ArtBase collection and goes on to consider audiences both for the online collection and physical exhibitions related to …