This paper presents an exploration of the ontological shift from musical materials (ie melody,
harmony, rhythm, texture, timbre, register) to activities in music performance analysis. A …

This paper presents an exploration of the ontological shift from musical materials (ie melody,
harmony, rhythm, texture, timbre, register) to activities in music performance analysis. The …

This dissertation presents an instrumentalist's perspective on cognition and meta-cognition
in music performance. The goal of the study is to identify and apply methods of inquiry that …

This thesis explores the communication of musical structure between performers and
listeners; in particular, the prolongational structure of music (as defined by Heinrich …

Performances by expert pianists of works by Bach, Chopin and Beethoven were computer
recorded. The timing and dynamic of performance were examined in relation to analyses of …

Building on ideas from cognitive metaphor theory, Making Sense of Recordings offers a new
perspective on record production, music perception, and the aesthetics of recorded sound. It …

Abstract'SHUT UP'N'PLAY! Negotiating the Musical Work'is a piece of artistic research that
attempts to merge artistic practice, qualitative research methods and critical analysis in a …

In this paper, we describe a research methodology phenomenography and its application in
investigating the experience of an ensemble the recorder consort Fortune in negotiating a …

The tools and performers which surround the composer are not simply a means to
communicate musical ideas, they take part in the formation and development of those ideas …

The adoption of Interpretative Phenomenological Analysis from psychology to consider
musical meaning arises from the view of music as a participatory aspect of a lived-in world …